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Lisa Barcy
Woman Without a Past
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Jesse Seay
Likes to Do Other Things
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MakeOut Club
Grad Screening @ Busker
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Film, Video and New Media Faculty
Daniel Eisenberg, Chair FVNM
email
www
About:
My interest in film is not in the expression of ideas or emotions. Instead, I think of film
as a tool for consciousness. I am drawn to the complex relationships that are generated
between film, maker, and viewer. Addressing these relationships is part of the work. The
works are therefore catalytic in nature. They attempt a confrontation with the traditional
codes of language and at the same time the codes of social order, in particular, the coding
of the past, of history.
They are neither prescriptive responses to the dominant political or poetic practices.
Rather, in opposition to the conception of the artist as visionary, prophet, or star they
assert a different kind of authority. They invite interpretation and require a responsive
viewer. They are, in fact, anti-authoritarian, and remain single voices of an incomplete dialogue.
CV summary:
Professor; Chair; Film, Video, and New Media (1994). BA, 1976, Binghamton University.
Exhibition/Screenings: Museum of Modern Art, NY; University of Amsterdam; Goldsmiths
College, University of London; Musee National d'Art Moderne, Centre Georges Pompidou,
Paris; Whitney Museum of American Art, NY; Bangkok Experimental Film Festival; Pacific
Film Archive, Berkeley; Musee du Cinema, Brussels; Filmmuseum, Munich. Collections:
Centre Georges Pompidou; Museum of Modern Art; Freunde der Deutschen Kinemathek;
Nederlands Film Museum. Awards: Illinois Arts Council Artists Fellowship; John Simon
Guggenheim Memorial Foundation Fellowship; DAAD Berlin Fellowship.
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